Ukrainian-born Russian Realist Painter, 1844-1930 was a leading Russian painter and sculptor of the Peredvizhniki artistic school. An important part of his work is dedicated to his native country, Ukraine. His realistic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the late 1920s, detailed works on him were published in the Soviet Union, where a Repin cult developed about a decade later, and where he was held up as a model "progressive" and "realist" to be imitated by "Socialist Realist" artists in the USSR. Repin was born in the town of Chuhuiv near Kharkiv in the heart of the historical region called Sloboda Ukraine. His parents were Russian military settlers. In 1866, after apprenticeship with a local icon painter named Bunakov and preliminary study of portrait painting, he went to Saint Petersburg and was shortly admitted to the Imperial Academy of Arts as a student. From 1873 to 1876 on the Academy's allowance, Repin sojourned in Italy and lived in Paris, where he was exposed to French Impressionist painting, which had a lasting effect upon his use of light and colour. Nevertheless, his style was to remain closer to that of the old European masters, especially Rembrandt, and he never became an impressionist himself.   Related Paintings of Ilya Repin :. | Portrait of Modest Mussorgsky | Portrait of Emperor Nicholas II. | On the Turf bench | At the Academy-s House in the Country | Room |
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Charles Bird King
American Painter, 1785-1862,is a United States artist who is best known for his portraiture. In particular, the artist is notable for the portraits he painted of Native American delegates coming to Washington D.C., which were commissioned by government's Bureau of Indian Affairs. Charles Bird King was born in Newport, Rhode Island as the only child of Deborah Bird and American Revolutionary veteran Captain Zebulon King. The family traveled west, but when King was four years old, his father was killed and scalped by Native Americans near Marietta, Ohio. King and his mother moved back to Newport to live with Bird's mother. When King was fifteen, he went to New York to study under the portrait painter Edward Savage. At age twenty he moved to London to study under the famous painter Benjamin West at the esteemed Royal Academy. King returned to the U.S. due to the War of 1812 after a seven-year stay in London, and spent time working in Philadelphia, Baltimore, and Richmond. He eventually settled in Washington, due to the economic appeal that the burgeoning city offered. In the nation's new capital, the artist earned a solid reputation as a portraitist among politicians, and earned enough to maintain his own studio and gallery. King's economic success in the art world, particularly in the field of portraiture, had more to do with his ability to socialize with the wealthy celebrities, and relate to the well educated politicians of the time: His industry and simple habits enabled him to acquire a handsome competence, and his amiable and exemplary character won him many friendse . These patrons included John Quincy Adams, John Calhoun, Henry Clay, James Monroe, and Daniel Webster .
Bernadino Luini
Italian c1481-1532 Bernadino Luini Gallery
Carl Rottmann
German,1797-1850 was a German landscape painter and the most famous member of the Rottmann family of painters. Rottmann belonged to the circle of artists around the Ludwig I of Bavaria, who commissioned large landscape paintings exclusively from him. He is best known for mythical and heroising landscapes. The landscape painter Karl Lindemann-Frommel belonged to his school. Carl Anton Joseph Rottmann was born in Handschuhsheim (today a part of Heidelberg) on January 11, 1797. There he received his first drawing lessons from his father, Friedrich Rottmann, who taught drawing at the university in Heidelberg. In his first artistic period he painted atmospheric phenomena. In 1821 he moved to Munich, where his second period began, and in 1824 he married Friedericke, the daughter of his uncle, Friedrich Ludwig von Sckell, who served as an attendant at court. This connection cleared the way for an acquaintance with King Ludwig, who in 1826-27 sponsored his travels in Italy in order to widen his repertoire, which up to that point consisted solely of domestic, German, landscapes. Upon his return he received from King Ludwig I a commission for a monumental cycle of Italian landscapes in the arcade of the Munich Hofgarten. The cycle, completed in 1833 in fresco, gave visual expression to Ludwiges alliance with Italy, and raised the genre of landscape painting to the height of history painting, the preferred mode of the Kinges other great commissions for monumental painting.